Copenhagen attractions on the map

Here you will see how one project brought together a road, exhibitions, workplaces, and housing on a vacant site.

This stop takes the route from the former earthen boundary to a landmark designed for the entire harbor.

This open urban space shows how two minutes of silence became a public act.

This stop will show the cost of the long gap between laying the foundation stone and its consecration.

Here the route first brings a land route into contact with harbor work.

The square reveals the royal plan for a new center through the fate of its main monument.

The former royal residence explains how scattered collections became a national museum.

The moat and a family relic link the royal residence to a marriage that never took place.

This is where the route begins with a contradiction between an open public building and a collection that must be protected from visitors.

This stop explains the change in elevation at the western end and shows how neighboring construction altered the approach to the completed bridge.

This stop will connect the peaceful change of power with an inscription that left the crowd outside memory.

The square lets you see the reverse side of urban order behind a neat residential façade.

Here, one risky design option becomes the answer to the stairs, the steep slope, and the tight space by the water.

The last working day of one fishwife will bring a centuries-long history of the fish shore to an end.

The finale brings together the myth of an island's birth and the fate of the harbor's most recognizable monument.

The harbour bath shows why the residents' return to the water depended on an almost unnoticed pollution-warning system.

On this bridge, the modern route follows the line along which the garrison once crossed the harbour.

This stop will connect the library courtyard with the papers of two people whose shared story ended up in the same archive.

This parish church gives the route a story of persistence that stretched for almost half a century.