Bruges

This stop separates the city records of the relic's rescue from the later legend of its origin.

The archive fire will explain why keeping accounts became part of the struggle for self-government.

The military tribunal will show how the building of the city court became a court of the occupying power.

The vanished church will restore the square's fortress geography and the scene of a conspiracy.

The fate of one sculpture will show what the requirement to leave a work in one place forever meant.

It will show the cost of housing given as assistance but tied to rules and supervision.

Here, the city's smell and an old privilege will clash in a single decision over a marketplace.

One altarpiece commission will link personal commemoration, a vanished church, and the birth of a city museum.

This stop connects wealth from the beer tax with hosting an exiled king and an English title.

A former private garden reveals how the city’s museum route passed through someone else’s property.

Here, a filled-in harbor and a city program that reshaped Bruges’s familiar appearance come together.

It will connect the old passenger quay with the origin of the present-day love ritual.

Here, an open market square becomes the setting for a bargain between the townspeople and their ruler.

This stop will show how a tournament victory turned into a year of civic duties.

The ending will explain why a vanished product outlived its stalls in the name of the quay.

It will explain the structure where a grand maritime calculation ran up against stubborn water.

The triptych makes it possible to see the patrons, the workings of the hospital, and the source of its income on a single panel.

The finale will explain why a parish church took the place of the vanished city cathedral.

Using one consignment of butter as an example, this stop shows who had the right to city work and its pay.

The crossing will show what the monastery risked for a direct route to townspeople and merchants.

The bridge brings together the documentary name of the place and the legend carved in stone.

The surviving water makes it possible to see an unrealized urban construction project at its true scale.

It will show how a municipal decision preserved traces of a private garden in a public park.

The history of the statue explains why the old trading crossing received the name of a Czech saint.

The final stop connects an inn, the representative offices of foreign merchants, and the European name for trading.

The dispute over the appearance of the new institution will show how provincial power established itself in the old center.

It will tell how one of the women returned the church to the community after an accidental fire.

It will make visible the boundary that protected the beguines' independent way of life.